Voice of Product

VOP

During a recent seminar at a UK University, a fresh-thinking student asked me whether QFD and its House of Quality could be used in reverse – i.e. starting with a finished design and working backwards to derive the Voice of Customer. Clever question. It prompted me to think about Goldenberg et al “The Voice of the Product: Templates of New Product Emergence” [Creativity and Innovation Management, September 1999: 157-164]. They draw an analogy to Darwin’s theory of natural selection, in which only products that adapt to the changing needs of the market place will survive. Competitive products are hence encoded with information about the evolution of true market needs. The information can help identify latent properties and attributes for inclusion into a new design. The question is how to retrieve, prioritise and use such information within our QFD approach.

Sources of input requirements in QFD tend to be a combination of:

  • Voice of Customer (VOC).
  • Voice of Competition.
  • Voice of Business and Voice of Organisation, combined termed ‘organisational context’ in ISO 9001 speak.
  • Voice of Product (VOP), which we could define as “information encoded in competitive products, signalling emerging and latent market needs”.

As for the other sources of input requirements – in context of QFD – we would want to deploy our VOP through a systemised House of Quality (HoQ) chart. This is a must be in my personal view, to enable the validation of the VOP approach’s compatibility with the QFD principles. I am not saying that you must use the HoQ; I am suggesting that you must be able to validate the VOP in the HoQ. The HoQ charts are often unappealing in practical projects and we then tend to substitute them with our mental process. However, the principles of the HoQ workings and their inter-linking remains an indispensable model for the design process – whatever approach is used. Practising the HoQ develops valuable thinking skills. The VOP should therefore fit.

The concept of VOP is similar in thinking to TRIZ, namely about extracting shared patterns from existing designs for implanting into a new design. To enable the extraction of a forward trend pattern, and thereby enhance the opportunity for innovation, the VOP should preferably evaluate related products that are in a more advanced stage of evolution than our targeted new design. By the term ‘related products’, we mean other products that the same customer segment already desires and uses.

The VOC is an inherently difficult exercise to get right – and when the VOC is wrong, then everything that follows in a development project will be wrong. Working the VOP backwards for a finished design, as indicated by the student, should in theory produce a set of principle customer requirements that are similar to the set produced from working the VOC forwards. The VOP can thereby be used to verify or resolve issues in the VOC – i.e. by validating that the same shared patterns result from both the forward tracing exercise and the backward tracing exercise, and help detecting if something is missing or distorted.

The image above is a thought on deploying the VOP through a HoQ chart. It illustrates how the designers of a next generation wrist watch can implant and evaluate features from other products, which are related by desires from the same customer segment. This improves and validates the VOC, before it is carried into the conventional product design phase.

Voice of Product

Here is another representation of the same principle, but combining the deployment of the VOP into the VOC into the Design Requirements within a single HoQ-style chart. The VOP element is shown as a new ‘front room’ to the house. It is shown to correct omissions and discrepancies in the VOC importance ratings. For example, the original VOC did not identify the customer requirements for ‘connectivity’ and ‘collect data’. The VOC also under-rated ‘comfort’ and over-rated ‘durable’ in this case.

When translating the VOP into the VOC then we must of course take care not to overwrite important customer requirements that are specific to the wrist watch design, with requirements that are specific only to the related products. We don’t necessarily want to turn the watch into a camera or music player – or maybe not yet.

The thinking behind the above example is not fully developed and there may in fact be a better place and way for introducing the VOP. An interesting study project to think about.

[first 27/02/2018, updated 23/05/2019]